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  • (Trade catalogue - Iris)
    IRIS KAEMPFERI. by YOKOHAMA NURSERY CO., LTD. (YOKOHAMA UEKI KABUSHIKI KAISHA, corp. title).
    YOKOHAMA NURSERY CO., LTD. (YOKOHAMA UEKI KABUSHIKI KAISHA, corp. title).
    IRIS KAEMPFERI. 25 Choice Var.

    A tall and beautifully preserved colour lithographk horticultural catalogue from the Yokohama Nursery Company, justly famous for the attractiveness of its publications. “The Yokohama Nursery Company catalogues from the mid-1890s through the mid-1920s are impressive documents, written in English and beautifully illustrated with coloured plates...” (ARNOLDIA 64/2-3, Del Tredici. “From Temple To Terrace” p. 4) There are 25 varieties of iris illustrated with two varieties per page, 12 large plates, and one large specimen alone on one plate, all of them shown in full flower with some foliage. The flower colours include shades of white, blue, pink and purple with touches of yellow printed against a pale green background. Varieties include: Zama-no-mori; Yedo-jiman and Kumo-no-obi; Wase-banri and Kyodaisan; Shokko-nishiki and…

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    A tall and beautifully preserved colour lithographk horticultural catalogue from the Yokohama Nursery Company, justly famous for the attractiveness of its publications. “The Yokohama Nursery Company catalogues from the mid-1890s through the mid-1920s are impressive documents, written in English and beautifully illustrated with coloured plates...” (ARNOLDIA 64/2-3, Del Tredici. “From Temple To Terrace” p. 4) There are 25 varieties of iris illustrated with two varieties per page, 12 large plates, and one large specimen alone on one plate, all of them shown in full flower with some foliage. The flower colours include shades of white, blue, pink and purple with touches of yellow printed against a pale green background. Varieties include: Zama-no-mori; Yedo-jiman and Kumo-no-obi; Wase-banri and Kyodaisan; Shokko-nishiki and Toru-odori; Koki-no-iro and Sano-watashi;Chosei-den and Aoigata; Nishiki-no-shitone and Bondai-no-nami; Hana-aoi and Uji-no-sato; Okubonri and TaiKeirobu; Hatsushimo and Gosetsu-no-mai; Shirataki and Kuma-funjin; Datedogu and Sofu-no-koi; Kurokumo and Idznmigawa. The only trace of previous ownership is an occasional small pencilled “x” next to the printed name of a variety. With 25 Color Plates

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    Bound in iris paper, with with purple yarn ties; in about fine condition, with only slight fading to ties and minimal shelfwear at extremities.

    Book ID: 16153
    View cart More details Price: £2,000.00
  • LE JARDIN DE L'ANTERIEUR. by LASSUS, Bernard.
    LASSUS, Bernard.
    LE JARDIN DE L'ANTERIEUR.

    One of 300 copies hand-printed by Kerversau imprimeur. LE JARDIN DE L’ANTERIEUR was Lassus's entry in a competition to design a garden for the new town of L'Isle d'Abeau. His plan won the competition but the project was never realised. LE JARDIN DE L'ANTERIEUR counts among Lassus's earliest published garden projects and both its text and its drawings demonstrate what the OXFORD COMPANION TO GARDENS (p. 205) calls his "approach to landscape which rejects empiricism in favour of exploring the non-measurable realm of the imagination." Stephen Bann says of his projects: "It seems to me beyond question that Lassus's highly inventive descriptions of garden projects function as utopian texts: Arcadia is conjured up, as it were, in the interstices of…

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    One of 300 copies hand-printed by Kerversau imprimeur. LE JARDIN DE L’ANTERIEUR was Lassus's entry in a competition to design a garden for the new town of L'Isle d'Abeau. His plan won the competition but the project was never realised. LE JARDIN DE L'ANTERIEUR counts among Lassus's earliest published garden projects and both its text and its drawings demonstrate what the OXFORD COMPANION TO GARDENS (p. 205) calls his "approach to landscape which rejects empiricism in favour of exploring the non-measurable realm of the imagination." Stephen Bann says of his projects: "It seems to me beyond question that Lassus's highly inventive descriptions of garden projects function as utopian texts: Arcadia is conjured up, as it were, in the interstices of the design, and the charming line drawings that he provides are the exact graphic correlate to this state of potentiality." ("Arcadia as utopia in contemporary landscape design: the work of Bernard Lassus”, HISTORY OF HUMAN SCIENCES Vol. 16 No. 1 p. 117). Accompanying the Lassus text is an essay on the garden by Michel Conan. “garden projects..as utopian texts”

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    In leather-backed custom portfolio; just about a fine copy with only the faintest hint of occasional foxing commencing.

    Book ID: 16433
    View cart More details Price: £1,600.00