The first state, before the number (of two). Vesme no. 841. Chone/Grivel. STEPHANO DELLA BELLA 1610-1664, no. 42-4. A richly evocative etching of Pan and Fame's grotto in the Renaissance Italian villa garden at Pratolino. The impression is a double view, presenting opposite ends of the grotto side by side. On opposite sides of the statue representing the river Mugrone are seen Pan playing his flute and Fame sounding her trumpet, both of them animated as hydraulic automatons. This is one of six views by Della Bella which depict this stunning Medici garden, created by the Florentine architect Buontalenti. "In terms of hydraulic wonders, the fountains and grottoes of Pratolino are surely the apogee... Buontalenti emerges as the foremost inventor of grottoes in Italy." (Miller HEAVENLY CAVES, pp. 47, 49) Impression measuring 25 x 37 cm; signed SD Bella between the two views

One of 150 copies on Velin de Rives, “Imprimé spécialement pour/ MONSIEUR ANDRE MALRAUX/Ministere D’État / Chargé Des Affaires Culturelles” signed and inscribed by the author, “Hommage de l’auteur”. Menars, located on the Loire, began in the 17th century as a classical French garden and chateau. For a brief period (1760-1764), it served as the residence residence of Madame de Pompadour, who added her personal touch to the chateau with the help of architect, Jacques-Ange Gabriel. Following her death, her brother, the marquis de Marigny, engaged Jacques-Gabriel Soufflot to further develop the site. The exuberant drawings of Anne Français fill this colorful book with impressions of visits to Menars in winter and in spring. While leading the reader through the interior and exterior spaces, she often succeeds in demonstrating their interrelationship. Accompanying text offers an overview of the history of Menars. A very charming book, printed by Mourlot and entirely designed by Français, known for inventing the concept of “ionnisme” in painting. With drawings, watercolors, text and mise en page executed entirely by the author/artist and produced in black and white and color lithograph at Mourlot, Paris. Copy printed for Andre Malraux 8vo (25.5 x 18 cm); (ii) + (xiv) + 17-66 + (10) pp. with text illustrations on every page printed in color and black and white; author’s signed presentation on the limitation page.